Berthe Morisot
French
1841-1895
Berthe Morisot Galleries
Berthe Morisot (January 14, 1841 ?C March 2, 1895) was a painter and a member of the circle of painters in Paris who became known as the Impressionists. Undervalued for over a century, possibly because she was a woman, she is now considered among the first league of Impressionist painters.
In 1864, she exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government, and judged by academicians, the Salon was the official, annual exhibition of the Acad??mie des beaux-arts in Paris. Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the "rejected" Impressionists in the first of their own exhibitions, which included Paul C??zanne, Edgar Degas, Claude Monet, Morisot, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley. It was held at the studio of the photographer Nadar.
She became the sister-in-law of her friend and colleague, Édouard Manet, when she married his brother, Eugene.
Related Paintings of Berthe Morisot :. | The Cradle (mk06) | On the ball | Young Woman PowderingHerself | Cradle | Detail of The woman and children are in the park | Related Artists: VassilieffMariya Ivanovna Vassilieva (Russian/, February 12, 1884 - May 14, 1957), better known as Marie Vassilieff, was a Russian painter. Adam ColoniaDutch ,
Rotterdam 1634-1685 London
Giovanni Domenico Cerrini(1609-1681), also called Gian Domenico Cerrini or il Cavalier Perugino, was an Italian painter of the Baroque period, active mainly in Rome and influenced in large part by painter of the Bolognese School.
Born in Perugia, Cerrini initially apprenticed under Giovanni Antonio Scaramuccia, then in 1638 moved into the Roman studio of Guido Reni, but strongly influenced by Lanfranco, Guercino, Domenichino, and Andrea Sacchi. He was patronized by the family of Cardinal Bernardino Spada. Cardinal Giulio Rospigliosi gave him the commission to decorate the cupola of Santa Maria della Vittoria (1654-5). His style has the monumental clarity of Domenichino, but somewhat sapped of vitality.
Paintings of his can be found in many of the churches of Rome, where he died, including Santa Maria in Traspontina, San Carlino alle Quattro Fontane, Chiesa Nuova, San Carlo ai Catinari, Santissimo Sudario dei Piemontesi, Sant??Isidoro, as well as in Galleria Colonna, Palazzo Spada, and the Palazzo Corsini art gallery.
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